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یک دم نور (پولارویدهای تارکوفسکی)‏

An elegiac collection of sixty Polaroid photographs by the late Soviet film director Andrei Tarkovsky Tarkovsky often reflected on the way that time flies and wanted to stop it even with these quick

An elegiac collection of sixty Polaroid photographs by the late Soviet film director Andrei Tarkovsky Tarkovsky often reflected on the way that time flies and wanted to stop it, even with these quick Polaroid shots The melancholy of seeing things for the last time is the highly mysterious and poetic essence that these images leave with us It is as though Andrei wanted tAn elegiac collection of sixty Polaroid photographs by the late Soviet film director Andrei Tarkovsky Tarkovsky often reflected on the way that time flies and wanted to stop it, even with these quick Polaroid shots The melancholy of seeing things for the last time is the highly mysterious and poetic essence that these images leave with us It is as though Andrei wanted to transmit his own enjoyment quickly to others And they feel like a fond farewell Tonino Guerra, from the IntroductionThis beautifully produced book comprises sixty Polaroid photographs of Andrei Tarkovsky s friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile.The size of the Polaroids is exactly as presented in the book, including the frame The book may therefore be viewed as a facsimile edition 60 color illustrations.

  • ✓ یک دم نور (پولارویدهای تارکوفسکی)‏ ↠ Andrei Tarkovsky Giovanni Chiaramonte پریسا دمندان
    152 Andrei Tarkovsky Giovanni Chiaramonte پریسا دمندان

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  1. Andrei Tarkovsky Giovanni Chiaramonte پریسا دمندان says:
    Andrei Arsenyevich Tarkovsky Russian was a Soviet film director, writer and opera director Tarkovksy is listed among the 100 most critically acclaimed filmmakers He attained critical acclaim for directing such films as Andrei Rublev, Solaris and Stalker.Tarkovsky also worked extensively as a screenwriter, film editor, film theorist and theater director He directed most of his films in the Soviet Union, with the exception of his last two films which were produced in Italy and Sweden His films are characterized by Christian spirituality and metaphysical themes, extremely long takes, lack of conventional dramatic structure and plot, and memorable images of exceptional beauty.

Comment 344 on “یک دم نور (پولارویدهای تارکوفسکی)‏

  1. Lila says:
    Stunning photographs polaroids from one of our century s most perceptive eyes The photos, taken by Andrei Tarkovsky in the Russian countryside and in Italy while shooting Nostalgia just prior to his permanent exile to that country , are themselves exquisite He s conveyed the essence of the dacha in a way I myself have persistently strived to do, despite my consistent failings The impression is very misty, very much outside of time the sense of exile is perhaps just as resounding in his Russia st [...]

  2. Seamus Thompson says:
    A beautiful collection of Polaroid photographs portraits and landscapes taken in Russia and Italy in the late 1970s, early 1980s by the great Russian filmmaker Many images suggest Tarkovsky s films especially Mirror and Nostalghia All of them are beautiful in their own right The quotations selected from Tarkovsky s artistic credo, Sculpting in Time, and his diaries Time Within Time work perfectly here to complement the Polaroids The Introduction by Tonino Guerra, poet and Tarkovsky s friend and [...]

  3. l. says:
    An image is a grain, a self evolving retroactive organism it is a symbol of actual life, as opposed to life itself Life contains death An image of life, by contrast, excludes it, or else sees in it a unique potential of the affirmation of life Whatever it expresses even destruction and ruin the artistic image is by definition an embodiment of hope, it is inspired by faith Artistic creation is by definition a denial of death Therefore it is optimistic, even if in an ultimate sense the artist is t [...]

  4. Ahmad Bozorgmehr says:
    When a very good friend of mine gave the book to me as a birthday present, I couldn t feel delighted The first look at the cover assured me that I m going to enter a world of beauty For me, Tarkovsky s Polaroids, really are the expression of his infinite soul The light in them is a miracle and his artistic works are full of miracles.


  5. Jamie Dougherty says:
    I m gonna have to think about, We are crucified on one plane, while the world is many dimensional some .

  6. karo librogénica says:
    Historia envuelta en polaroid Bordada con luz Empaquetada en Amor.

  7. Ray Dunsmore says:
    A rather interesting book with a selection of gorgeous images all too frequently marred by very poor reproduction take the odd sharp contrast that overtakes the images on pages 25 and 31, not to mention the fact that these are not actual reproductions of the Polaroids, but simply scans of the images set into a basic, unchanging frame to make them look like actual Polaroids note that each one has the exact same texture on the borders.To be honest, I expected from the man who made Solaris and Sta [...]

  8. Leilani says:
    An incredibly beautiful book, it gives me the feel of the images so much that I can almost breathe in and smell the settings that are so perfectly captured There s a magic to polaroids in general, perhaps because they are one off photographs, no negatives, no digital backup, and also because of that unique instant way they form before your eyes These are exceptional pictures aside from that and show, I think, the wonderful director s eye Tarkovsky had for telling a story through image I love thi [...]

  9. Michael Vagnetti says:
    You may be mindful of different kinds of light, or you may be tired Touching, really, to make these images of almost nothing, and cause them to appear to be sprinkled with magical dust, a subliminal filter, an anti shadow It is not nostalgia, but might have something to do with life and death These are images that encroach so tepidly, but with a meaning that resurfaces later, a kind of tracer, a pathway in the mind once travelled Maybe you can tranpose this kind of meaning to what you see, or ma [...]

  10. H.d. says:
    Brilhante edi o da s rie de polaroids feitas pelo cineasta entre o fim dos anos 70 e in cio dos 80, os ensaios s o preciosos para entender o contexto no qual essas fotos foram tiradas impressionante como em um n vel o olhar do cineasta claramente est l , nas composi es e na observa o da beleza da luz natural Mas se olharmos um outro nivel de significado encontramos o que une boa parte das pessoas no s culo XX fotos de fam lia, ntimas e com a mesma banalidade presente nos velhos lbuns dos nossos [...]

  11. Jeff says:
    This a surprisingly insightful addendum to the shelf of books by and about Tarkovsky, combining a collection of his Polaroid photographs with translated original writings from various sources While the overall concept might seem to be a bit light, it makes for a interesting read, and the simple color shots are quite in keeping with other aspects of Tarkovsky s art Worthwhile for anyone who is as obsessed with Tarkovsky as I am


  12. Tristan Goding says:
    The infamous Tarkvosky polaroid photographs are powerful due to their lack of external influence The intimate nature of the images is evident and each picture has something chilling about them that make them deserving of multiple viewings The pictures than live up to their reputation.

  13. Jeff Jackson says:
    Gorgeous personal polaroids of haunting landscapes and family portraits Tarkovsky s eye for rich compositions won t surprise anyone who s seen his films, but the intimacy of these images is new Nice selection of reminscences and diary entries put the work in context.

  14. Psychopu says:
    The photographs are beautiful however, the book design, being quite mediocre, takes something away from the mood of the images.






  15. mao says:
    Tarkovsky took pictures And this collection demonstrates that he is equally a master of the moving still as much as a master of the moving still image.


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